Sunday, December 20, 2009

SNAKE by D.H. Lawrence


A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.

In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.

And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would kill him!

And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.


Monday, December 7, 2009

The Darkling Thrush by Thomas Hardy


I leant upon a coppice gate

When Frost was spectre-gray,

And Winter’s dregs made desolate

The weakening eye of day.

The tangled bine-stems scored the sky

Like strings of broken lyres,

And all mankind that haunted nigh

Had sought their household fires.

The land’s sharp features seemed to be

The Century’s corpse outleant,

His crypt the cloudy canopy,

The wind his death-lament.

The ancient pulse of germ and birth

Was shrunken hard and dry,

And every spirit upon earth

Seemed fervourless as I.

At once a voice arose among

The bleak twigs overhead

In a full-hearted evensong

Of joy illimited;

An aged thrush, frail, gaunt, and small,

In blast-beruffled plume,

Had chosen thus to fling his soul

Upon the growing gloom.

So little cause for carolings

Of such ecstatic sound

Was written on terrestrial things

Afar or nigh around,

That I could think there trembled through

His happy good-night air

Some blessed Hope, whereof he knew

And I was unaware

Hap by Thomas Hardy

Hap

If but some vengeful god would call to me

From up the sky, and laugh: "Thou suffering thing,

Know that thy sorrow is my ecstasy,

That thy love's loss is my hate's profiting!"

Then would I bear it, clench myself, and die,

Steeled by the sense of ire unmerited;

Half-eased in that a Powerfuller than I

Had willed and meted me the tears I shed.

But not so. How arrives it joy lies slain,

And why unblooms the best hope ever sown? —

Crass Casualty obstructs the sun and rain,

And dicing Time for gladness casts a moan. . . .

These purblind Doomsters had as readily strown

Blisses about my pilgrimage as pain.


Dover Beach by Mathew Arnold


The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.



Sophocles long ago
Heard it on the Ægæan, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.



The Sea of Faith
Was once, too, at the full, and round earth's shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night wind, down the vast edges drear
And naked shingles of the world.



Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

Tuesday, November 17, 2009

My Last Duchess by Robert Browning

My Last Duchess

Ferrara

That's my last Duchess painted on the wall,

Looking as if she were alive. I call

That piece a wonder, now: Fra Pandolf s hands

Worked busily a day, and there she stands.

Will't please you sit and look at her? I said

"Fra Pandolf" by design, for never read

Strangers like you that pictured countenance,

The depth and passion of its earnest glance,

But to myself they turned (since none puts by

The curtain I have drawn for you, but I)

And seemed as they would ask me, if they durst,

How such a glance came there; so, not the first

Are you to turn and ask thus. Sir, 'twas not

Her husband's presence only, called that spot

Of joy into the Duchess' cheek; perhaps

Fra Pandolf chanced to say, "Her mantle laps

Over my lady's wrist too much," or "Paint

Must never hope to reproduce the faint

Half-flush that dies along her throat": such stuff

Was courtesy, she thought, and cause enough

For calling up that spot of joy. She had

A heart—how shall I say?—too soon made glad,

Too easily impressed: she liked whate'er

She looked on, and her looks went everywhere.

Sir, 'twas all one! My favour at her breast,

The dropping of the daylight in the West,

The bough of cherries some officious fool

Broke in the orchard for her, the white mule

She rode with round the terrace—all and each

Would draw from her alike the approving speech,

Or blush, at least. She thanked men,—good! but

thanked

Somehow—I know not how—as if she ranked

My gift of a nine-hundred-years-old name

With anybody's gift. Who'd stoop to blame

This sort of trifling? Even had you skill

In speech—(which I have not)—to make your will

Quite clear to such an one, and say, "Just this

Or that in you disgusts me; here you miss,

Or there exceed the mark"—and if she let

Herself be lessoned so, nor plainly set

Her wits to yours, forsooth, and made excuse,

—E'en then would be some stooping; and I choose

Never to stoop. Oh sir, she smiled, no doubt,

Whene'er I passed her; but who passed without

Much the same smile? This grew; I gave

commands;

Then all smiles stopped together. There she stands

As if alive. Will't please you rise? We'll meet

The company below, then. I repeat,

The Count your master's known munificence

Is ample warrant that no just pretence

Of mine for dowry will be disallowed;

Though his fair daughter's self, as I avowed

At starting, is my object. Nay, we'll go

Together down, sir. Notice Neptune, though,

Taming a sea-horse, thought a rarity,

Which Claus of Innsbruck cast in bronze for me!

Elizabeth Barrett Browning from Sonnets from the Portuguese


XLIII

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candlelight.
I love thee freely, as men might strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints,–I love thee with the breath,
Smiles, tears, of all my life!–and, if God choose,
I shall but love thee better after death.

Saturday, November 14, 2009

Download links of slight shows

Victorian Period-NUR GEDİK


http://rapidshare.com/files/306832374/NUR_GEDae_K_VICTORIAN_PERIOD_2.ppt.html


Men of England- FATMA KAYA

http://rapidshare.com/files/306833281/MEN_OF_ENGLAND_2.ppt.html


Victorian Period-Tülay ÖRÜCÜ

http://rapidshare.com/files/306951915/Victorian_Period.ppt.html


Lord Byron-Sulgun KARAKULOVA

http://rapidshare.com/files/307958309/LORD_BYRON__1788-1824_.pptx.html


In Memoriam-Sedef KONUK


http://rapidshare.com/files/309192500/IN_MEMORIAM.pptx.html


My last duchess-Birsen KUBAT

http://rapidshare.com/files/309193252/birsen_kubat_mylastduchess.ppt.html


Lord Byron -Zuhal GÖKÇE

http://rapidshare.com/files/310485680/lord_byron.pptx.html


Dover Beach -Özge MAVİŞ

http://rapidshare.com/files/320840647/DOVER_BEACH___zge_mavi__.ppt.html


Thou Art Indeed Just,Lord -Ebru TOMBALAK

http://rapidshare.com/files/323521009/thou_art_indeed_us_lord.pptx.html


Thomas Hardy -Jiyan TAHER

http://rapidshare.com/files/326179922/New_Microsoft_Office_PowerPoint_Presentation.pptx.html

The Soldier -Merve ÖNDER

http://rapidshare.com/files/327112176/The_SOLDIER.pptx.html


Frankestein -İlknur KAYA

http://rapidshare.com/files/327113215/FRANKENSTEIN.ppt.html


Elliot -Merve ERTAŞTAN

http://rapidshare.com/files/327353738/merve_ertastan_ts_eliot.ppt.html


The Love Song of J. Alfred Prufrock- Melek ÖZER

http://rapidshare.com/files/328055562/The_Love_Song_of_J.ppt.html


T.S. Elliot- Gökhan ÖZKAN

http://rapidshare.com/files/328055562/T.S._Elliot.J.ppt.html


Musee Des Beauz Arts- Fatma ÖZKAYA

http://rapidshare.com/files/329575450/ede.pptx.html


At Grass - Gülsen ÖZSAN

http://rapidshare.com/files/32935630/Glsn.pptx.html


Hap- Salih OSOYDAN

http://rapidshare.com/files/329575714/salih_osoydan.ppt.html



Hopkins- Derya YILMAZ

http://rapidshare.com/files/329575845/derya_yae_lmaz.ppt.html


Ede,sunum - Nagihan KISA

http://rapidshare.com/files/329576068/_NAGae_HAN.html


Ambulances -Öznur ÖZTÜRK

http://rapidshare.com/files/330695231/oeznur_oeztuerk-Philip_Larkin-_At_Grass___Ambulances.ppt.html


The Death of a Naturalist -ELİF KILIÇ

http://rapidshare.com/files/330695231/E_Kl_c.html


Emine - Lit.

http://rapidshare.com/files/330695231/Lit.asiw.html


Hanım Öncel

http://rapidshare.com/files/330695231/Hnm_OncEd.html

Sevil ÖZKAN

http://rapidshare.com/files/330695231/Sev_OZ.html


NOTE : There is a warning like : Your file has been saved and can now be downloaded 10 times.

I'm going to re-upload those files several times.

Tuesday, November 10, 2009

In Memoriam Lord Alfred Tennyson

Prologue

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,

By faith, and faith alone, embrace,

Believing where we cannot prove;

Thine are these orbs of light and shade;

Thou madest Life in man and brute;

Thou madest Death; and lo, thy foot

Is on the skull which thou hast made.

Thou wilt not leave us in the dust:

Thou madest man, he knows not why,

He thinks he was not made to die;

And thou hast made him: thou art just.

Thou seemest human and divine,

The highest, holiest manhood, thou.

Our wills are ours, we know not how;

Our wills are ours, to make them thine.

Our little systems have their day;

They have their day and cease to be:

They are but broken lights of thee,

And thou, O Lord, art more than they.

We have but faith: we cannot know;

For knowledge is of things we see

And yet we trust it comes from thee,

A beam in darkness: let it grow.

Let knowledge grow from more to more,

But more of reverence in us dwell;

That mind and soul, according well,

May make one music as before,

But vaster. We are fools and slight;

We mock thee when we do not fear:

But help thy foolish ones to bear;

Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;

What seem’d my worth since I began;

For merit lives from man to man,

And not from man, O Lord, to thee.

Forgive my grief for one removed,

Thy creature, whom I found so fair.

I trust he lives in thee, and there

I find him worthier to be loved.

Forgive these wild and wandering cries,

Confusions of a wasted youth;

Forgive them where they fail in truth,

And in thy wisdom make me wise.

XXVII

Thou comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer

Was as the whisper of an air

To breathe thee over lonely seas.

For I in spirit saw thee move

Thro’ circles of the bounding sky,

Week after week: the days go by:

Come quick, thou bringest all I love.

Henceforth, wherever thou may’st roam,

My blessing, like a line of light,

Is on the waters day and night,

And like a beacon guards thee home.

So may whatever tempest mars

Mid-ocean, spare thee, sacred bark;

And balmy drops in summer dark

Slide from the bosom of the stars.

So kind an office hath been done,

Such precious relics brought by thee;

The dust of him I shall not see

Till all my widow’d race be run.

LVI

‘So careful of the type?’ but no.
From scarped cliff and quarried stone

She cries, `A thousand types are gone:

I care for nothing, all shall go.

‘Thou makest thine appeal to me:

I bring to life, I bring to death:

The spirit does but mean the breath:

I know no more.’ And he, shall he,

Man, her last work, who seem’d so fair,

Such splendid purpose in his eyes,

Who roll’d the psalm to wintry skies,

Who built him fanes of fruitless prayer,

Who trusted God was love indeed

And love Creation’s final law-

Tho’ Nature, red in tooth and claw

With ravine, shriek’d against his creed-

Who loved, who suffer’d countless ills,

Who battled for the True, the Just,

Be blown about the desert dust,

Or seal’d within the iron hills?

No more? A monster then, a dream,

A discord. Dragons of the prime,

That tare each other in their slime,

Were mellow music match’d with him.

O life as futile, then, as frail!

O for thy voice to soothe and bless!

What hope of answer, or redress?

Behind the veil, behind the veil.

Wednesday, October 28, 2009

ODE ON A GRECIAN URN John Keats

Thou still unravish'd bride of quietness,

Thou foster-child of silence and slow time,

Sylvan historian, who canst thus express

A flowery tale more sweetly than our rhyme:

What leaf-fring'd legend haunts about thy shape

Of deities or mortals, or of both,

In Tempe or the dales of Arcady?

What men or gods are these? What maidens

loth?

What mad pursuit? What struggle to escape?

What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard

Are sweeter; therefore, ye soft pipes, play on;

Not to the sensual ear, but, more endear'd,

Pipe to the spirit ditties of no tone:

Fair youth, beneath the trees, thou canst not leave

Thy song, nor ever can those trees be bare;

Bold Lover, never, never canst thou kiss

Though winning near the goal—yet, do not

grieve;

She cannot fade, though thou hast not thy bliss,

For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed

Your leaves, nor ever bid the Spring adieu;

And, happy melodist, unwearied,

For ever piping songs for ever new;

More happy love! more happy, happy love!

For ever warm and still to be enjoy'd,

For ever panting, and forever young;

All breathing human passion far above,

That leaves a heart high-sorrowful and cloy'd,

A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?

To what green altar, O mysterious priest,

Lead'st thou that heifer lowing at the skies,

And all her silken flanks with garlands dressed?

What little town by river or sea shore,

Or mountain-built with peaceful citadel,

Is emptied of this folk, this pious morn?

And, little town, thy streets for evermore

Will silent be; and not a soul to tell

Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede

Of marble men and maidens overwrought

With forest branches and the trodden weed;

Thou, silent form, dost tease us out of thought

As doth eternity: Cold Pastoral!

When old age shall this generation waste,

Thou shalt remain, in midst of other woe

Than ours, a friend to man, to whom thou

say'st,

"Beauty is Truth, Truth Beauty,"—that is all

Ye know on earth, and all ye need to know.

Ode To The West Wind By Shelley


O Wild West Wind, thou breath of Autumn's being,

Thou, from whose unseen presence the leaves dead

Are driven, like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,

Pestilence-stricken multitudes: O thou,

Who chariotest to their dark wintry bed

The wingèd seeds, where they lie cold and low,

Each like a corpse within its grave, until

Thine azure sister of the spring shall blow

Her clarion o'er the dreaming earth, and fill

(Driving sweet buds like flocks to feed in air)

With living hues and odors plain and hill:

Wild Spirit, which art moving everywhere;

Destroyer and preserver; hear, oh, hear!

II.

Thou on whose stream, 'mid the steep sky's commotion,

Loose clouds like earth's decaying leaves are shed,

Shook from the tangled boughs of Heaven and Ocean,

Angels of rain and lightning: there are spread

On the blue surface of thine airy surge,

Like the bright hair uplifted from the head

Of some fierce Mænad, even from the dim verge

Of the horizon to the zenith's height,

The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night

Will be the dome of a vast sepulchre,

Vaulted with all thy congregated might

Of vapors, from whose solid atmosphere

Black rain, and fire, and hail, will burst: oh hear!

III.

Thou who didst waken from his summer dreams

The blue Mediterranean, where he lay,

Lulled by the coil of his crystalline streams,

Beside a pumice isle in Baiæ's bay,

And saw in sleep old palaces and towers

Quivering within the wave's intenser day,

All overgrown with azure moss and flowers

So sweet, the sense faints picturing them! Thou

For whose path the Atlantic's level powers

Cleave themselves into chasms, while far below

The sea-blooms and the oozy woods which wear

The sapless foliage of the ocean, know

Thy voice, and suddenly grow gray with fear,

And tremble and despoil themselves: oh, hear!

IV.

If I were a dead leaf thou mightest bear;

If I were a swift cloud to fly with thee;

A wave to pant beneath thy power, and share

The impulse of thy strength, only less free

Than thou, O uncontrollable! if even

I were as in my boyhood, and could be

The comrade of thy wanderings over heaven,

As then, when to outstrip thy skyey speed

Scarce seemed a vision; I would ne'er have striven

As thus with thee in prayer in my sore need.

Oh! lift me as a wave, a leaf, a cloud!

I fall upon the thorns of life! I bleed!

A heavy weight of hours has chained and bowed

One too like thee: tameless, and swift, and proud.

V.

Make me thy lyre, even as the forest is;

What if my leaves are falling like its own!

The tumult of thy mighty harmonies

Will take from both a deep, autumnal tone,

Sweet though in sadness. Be thou, Spirit fierce,

My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe

Like withered leaves to quicken a new birth!

And, by the incantation of this verse,

Scatter, as from an extinguished hearth

Ashes and sparks, my words among mankind!

Be through my lips to unwakened earth

The trumpet of a prophecy! O Wind,

If Winter comes, can Spring be far behind?


A SONG: MEN OF ENGLAND P.B. Sheley

Men of England, wherefore plough
For the lords who lay ye low?
Wherefore weave with toil and care
The rich robes your tyrants wear?

Wherefore feed and clothe and save,
From the cradle to the grave,
Those ungrateful drones who would
Drain your sweat -nay, drink your blood?

Wherefore, Bees of England, forge
Many a weapon, chain, and scourge,
That these stingless drones may spoil
The forced produce of your toil?

Have ye leisure, comfort, calm,
Shelter, food, love's gentle balm?
Or what is it ye buy so dear
With your pain and with your fear?

The seed ye sow another reaps;
The wealth ye find another keeps;
The robes ye weave another wears;
The arms ye forge another bears.

Sow seed, -but let no tyrant reap;
Find wealth, -let no imposter heap;
Weave robes, -let not the idle wear;
Forge arms, in your defence to bear.

Shrink to your cellars, holes, and cells;
In halls ye deck another dwells.
Why shake the chains ye wrought? Ye see
The steel ye tempered glance on ye.

With plough and spade and hoe and loom,
Trace your grave, and build your tomb,
And weave your winding-sheet, till fair
England be your sepulchre!


When We Two Parted by Lord Byron

When We Two Parted

When we two parted
In silence and tears,
Half broken-hearted,
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sank chill on my brow -
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me -
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well: -
Long, long shall I rue thee
Too deeply to tell.

In secret we met -
In silence I grieve
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee? -
With silence and tears.

Tuesday, October 27, 2009

She Walks in Beauty by Lord Byron

1

She walks in beauty, like the night

Of cloudless climes and starry skies;

And all that's best of dark and bright

Meet in her aspect and her eyes:

Thus mellow'd to that tender light

Which heaven to gaudy day denies.

2

One shade the more, one ray the less,

Had half impair'd the nameless grace

Which waves in every raven tress,

Or softly lightens o'er her face;

Where thoughts serenely sweet express

How pure, how dear their dwelling place.

3

And on that cheek, and o'er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

Monday, October 19, 2009

Expostulation and Reply


"Why William, on that old grey stone,
Thus for the length of half a day,
Why William, sit you thus alone,
And dream your time away?

"Where are your books? that light bequeath`d
To beings else forlorn and blind!
Up! Up! and drink the spirit breath`d
From dead men to their kind.

"You look round on your mother earth,
As if she for no purpose bore you;
As if you were her first-born birth,
And none had lived before you!"

One morning thus, by Esthwaite lake,
When life was sweet I knew not why,
To me my good friend Matthew spake,
And thus I made reply.

"The eye it cannot chuse but see,
We cannot bid the ear be still;
Our bodies feel, where`er they be,
Against, or with our will.

"Nor less I deem that there are powers,
Which of themselves our minds impress.
That we can feed this mind of ours,
In a wise passiveness.

"Think you, mid all this mighty sum
Of things for ever speaking,
That nothing of itself will come,
But we must still be seeking?

"--Then ask not wherefore, here, alone,
"Conversing as I may,
"I sit upon this old grey stone,
"And dream my time away."

Tintern Abbey


FIVE years have past; five summers, with the length

Of five long winters! and again I hear

These waters, rolling from their mountain-springs
With a soft inland murmur. -- Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.

These beauteous forms,

Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration: -- feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened: -- that serene and blessed mood,
In which the affections gently lead us on, --
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

If this

Be but a vain belief, yet, oh! how oft --
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart --
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!


And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all. -- I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye. -- That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur, other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear, -- both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.

Nor perchance,

If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance --
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence -- wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love -- oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

Monday, October 12, 2009

London by William Blake

London


I wander thro' each charter'd street,
Near where the charter'd Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man,
In every Infant's cry of fear,
In every voice, in every ban,
The mind-forg'd manacles I hear.

How the Chimney-sweeper's cry
Every black'ning Church appalls;
And the hapless Soldier's sigh
Runs in blood down Palace walls.

But most thro' midnight streets I hear
How the youthful Harlot's curse
Blasts the new born Infant's tear,
And blights with plagues the Marriage hearse.

Monday, October 5, 2009

Weekly Schedule and Assignments


Week 3

The Romantic Period: A brief introduction into the social and literary background of the period will be covered.

William Blake “The Lamb”, “The Tyger”, “Holy Thursday”, “Holy Thursday”, “London”

  1. Kahil
  2. Karakulova
  3. Küpeli

Week 4

William Wordsworth “Expostulation and Reply”, “The Tables Turned”, “Tintern Abbey”

Samuel Taylor Coleridge “The Rime of the Ancient Mariner”

  1. Melnik
  2. Nurullaeva

Week 5

Lord Byron “She Walks in Beauty”, “When We Two Parted”

Percy Bysshe Shelley “A Song: Men of England”, “Ode to the West Wind”

John Keats “Ode on a Grecian Urn”

  1. Gökçe
  2. Kalın
  3. F. Kaya
  4. Kısa

Week 6

Fiction: Frankenstein by Mary Shelley

  1. İ. Kaya
  2. C. Kılıç

Week 7

The Victorian Period: General characteristics of the age will be introduced.

Alfred Tennyson “In Memoriam”

  1. Kıymaz
  2. Konuk
  3. Gedik
  4. Örücü

Week 7

Robert Browning “My Last Duchess”

Elizabeth Barrett Browning Sonnet XLIII “How Do I Love Thee?”

Matthew Arnold “Dover Beach”

  1. Kubat
  2. Leblebicier
  3. Maviş

Week 8

Fiction: Short Story

Week 8

The Twentieth Century: The social and literary background of the age will be covered.

Thomas Hardy “Hap”, “The Darkling Thrush”

  1. Osoydan
  2. Tanyeri

Week 9

Gerard Manley HopkinsThou art indeed just, Lord”

D.H. Lawrence “Snake”

  1. Tombalak
  2. Yılmaz
  3. Öncel

Week 10

Rupert BrookeThe Soldier”

Wilfred OwenDulce Et Decorum Est”, “Futility”

William Butler Yeats “Leda And The Swan”, “The Second Coming”, “Sailing to Byzantium”

  1. Önder
  2. Özdemir
  3. Özen

Week 11

The Modernist Period

T.S.Eliot “The Love Song of J. Alfred Prufrock”

  1. Özer
  2. G. Özkan
  3. Ertaştan

Week 12

Dylan Thomas “Do Not Go Gentle Into That Good Night”

W.H. AudenMusee des Beaux Arts”, “September 1, 1939”

  1. S. Özkan
  2. Özkaya

Week 13

Philip LarkinAt Grass”, “Ambulances”

Ted Hughes “Relic”

Seamus Heaney “Death of a Naturalist”

  1. Özsan
  2. Öztürk
  3. E. Kılıç
  4. Korkmaz

Week 14

Exam

Week 15

Conclusive Discussion