Monday, October 19, 2009

Tintern Abbey


FIVE years have past; five summers, with the length

Of five long winters! and again I hear

These waters, rolling from their mountain-springs
With a soft inland murmur. -- Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedge-rows, hardly hedge-rows, little lines
Of sportive wood run wild: these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone.

These beauteous forms,

Through a long absence, have not been to me
As is a landscape to a blind man's eye:
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
With tranquil restoration: -- feelings too
Of unremembered pleasure: such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened: -- that serene and blessed mood,
In which the affections gently lead us on, --
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things.

If this

Be but a vain belief, yet, oh! how oft --
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart --
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer thro' the woods,
How often has my spirit turned to thee!


And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again:
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led: more like a man
Flying from something that he dreads, than one
Who sought the thing he loved. For nature then
(The coarser pleasures of my boyish days,
And their glad animal movements all gone by)
To me was all in all. -- I cannot paint
What then I was. The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye. -- That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur, other gifts
Have followed; for such loss, I would believe,
Abundant recompence. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air,
And the blue sky, and in the mind of man;
A motion and a spirit, that impels
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear, -- both what they half create,
And what perceive; well pleased to recognise
In nature and the language of the sense,
The anchor of my purest thoughts, the nurse,
The guide, the guardian of my heart, and soul
Of all my moral being.

Nor perchance,

If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain-winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling-place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance --
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence -- wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service: rather say
With warmer love -- oh! with far deeper zeal
Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

18 comments:

  1. -MerveKıymaz-

    here we have William Wordsworth's Tintern Abbey read by Tim McMullan for the BBC...

    http://www.youtube.com/watch?v=W0Ki4qR34uM

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  2. I appreciate this poem really very much. and while i was reading, i felt excitement.
    because it is a long poem, i want to talk about it generally.
    in that poem, poet opens it with the declaration of five years' passing. poet was away from the nature, abbey and the wye such a long time as five years.
    and in that time he is away in a city, crowded with people. and when he comes back and see the wye and the nature again,his hearth fills with the tranquility.
    the beauty of landscape affects him again. and poet uses the word again all the time to emphasize the changing of the time.
    in the second part, he talks about the sorrow and the sadness he felt while he was away from the nature, sitting alone in the crowded city. and he acknowledges that, coming and seeing this beauty again, he feels the tranquil restoration.
    and he talks about his memory of how this beauty provides him with joy and sweet sensations felt in blood, while he is away from the nature and feeling deppressed in the crowded city.he was like a living soul while he was away from it.
    and now he is again revieving the nature, feeling comfort but not as the days he is thoughtless as a little boy.because nature made him more like a man.
    now he is different from the past times.and he knows that he can not resume the relationship with the nature as in the past times.but he is not mourning for it.
    "loses bring gifts", he says. and the gift is that; now he can see something more subtle and powerful in the light of setting sun, and the round of the ocean, and the living air,blue sky, ming of man.
    and this beauty makes him think. so, for that reason he loves nature.
    in the voice and the manner of wye, nature, he can observe himself. he can see in her what he was once.
    and he prays. because, power of her makes him impervious to "evil tongues".
    this poem affected me really very much. the love of nature and the woe of being away from it makes it clear that nature is the only thing a person can have delight from.
    and also it is the most reliable thing.
    time is lost with the innosence, so it is important to catch it by turning to the nature and its all beauty.

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  3. Thanks for merve's comment, we have already had the summary of poem. :)
    So I want to mention about the William Wordsworth's thoughts about the good poetry. As you know he says that ' All good poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.'
    In here 'spontaneous overflow of powerful feelings' refers to imidiate process of inspration. We can see this in his poem 'Tintern abbey'. For example;In the lines 'That on a wild secluded scene impress/
    Thoughts of more deep seclusion; and connect/
    The landscape with the quiet of the sky.'
    Wordsworth inspire from the wild secluded scene and write this with his spontaneous feelings about the nature.

    Other than this, our impressions are very important while writing a poem for him. namely writing something is a subjective thing for him. ın this poem we can observe the subjective concept of nature. I can give you some lines as example.

    'But oft, in lonely rooms, and 'mid the din
    Of towns and cities, I have owed to them
    In hours of weariness, sensations sweet,
    Felt in the blood, and felt along the heart;
    And passing even into my purer mind,'

    In here, as you see wordsworth explains his own feelings about the trouble of living in city.

    An in general poet explain love of nature and the woe of being away fram it by saying his OWN feelings.

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  4. In this poem, William Wordsworth shows us what good poetry is. He describes a place like paradise. when he is there, he is full of tranquility. In every line of the poem, he makes us feel the tranquility. The poem tells about nature love.

    After five years, he visits that place again and he finds the same tranquility and gets happy. He also compares his first visit with his current visit. In his first visit, he wasn't aware of the nature's unity. But now, he is aware of this. And he thinks what makes him older, what makes him "man" is nature. Now he can understand the nature better.

    For thou art with me here upon the banks
    Of this fair river; thou my dearest friend,
    My dear, dear friend; and in thy voice I catch
    The language of my former heart, and read
    My former pleasures in the shooting lights
    Of thy wild eyes. Oh! yet a little while
    May I behold in thee what I was once,
    My dear, dear Sister!

    In these lines, he tells about his sister's feelings. She is also impressed by the beauty of place and is sensible about the nature as he was in five years ago. He sees his former pleasures in her "wild eyes" and "voice". He sees his youthful passions about nature in her feelings.

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  5. BirsenKubat In this poem William Wordsworth expresses the feelings when he sees the beauty of nature after five years.He remembers his old times and these memories create very nice emotions.Then he starts to tell about nature. Generally he says that nature gives shelter and security to the people,there is harmony and peace in the nature,it never makes people unhappy.On the other hand he says that there is stress and sadness in city life...

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  6. writer says that he is not in relation with natutre like ols times but his memories of childhood in nature gives him mental spiritual quiteness. his memories guards his heart and soul. and also thanks to his memories he sees in the city life beuties that not everyman acn see. because he is aware of nature everywhere. to him even the air is a part of nature and even air can tranqilise him

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  7. NUR GEDİK
    I agree Salih,and in the second part the poet thinks there is a restoration of past times,past feelings.He experiences the same pleasure maybe much more than in his childhood.When he was a child,he wasnt aware of this charming beauties maybe,yet now he can create the visual beauty of Tintern Abbey in his eyes, he sees the revival of the past.Morever he realizes how pure and innocence Tintern Abbey is.

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  8. -MerveKıymaz-

    so glad to read this poem...

    purity,natural point of view to the world that we only need in these times,don't we?Realized that within the poem seekin' of plain and pure life is not only my secret desire but also Wordsworth's...

    just a little bit pure,divine,peaceful atmosphere that's what i only wanted...and i found it in this poem...

    thank you Wordsworth...

    ReplyDelete
  9. FATMA KAYA
    I just read and want to share the writing. It definitely tells how nature affects us, stimulates feelings or calms emotions.

    Bekir Coşkun
    Sevgilinin gidişi gibi...
    25.10.2009 16:42:06

    SONBAHAR geldi mi surat asarım...
    Durup dururken benim canım sıkılır, hüzünlü ve erken bir ayrılışın öyküsüdür sanki bu mevsim.
    Doğanın küsüp de, pılı pırtısını toplayıp bizi terk edişi gibi gelir bana bu günler...
    Bir sevgilinin gidişi gibi...
    Alıp götürülen bir mutlu fotoğrafın duvarda boş kalan yeri tıpkı; kabak çiçeklerinin bahçe duvarında bıraktığı iz...
    Söğüt ağacının yaprakları alıp başlarını yola çıkarlar peş peşe, kaldırım taşlarından aşağıya doğru...
    Bir an peşlerinden koşup gitmek gelir içimden:
    "Gitmeseniz..."

    *

    Güneş; fersiz yanağını kapının pervazına dayayıp eşikten son kez bakan sevgili gibi, solgun...
    Kimi zaman bir beyaz bulut yüzünü örter ve mendil gibi yanağını siler güneşin.
    İşte; birazdan tane tane inen, gözyaşı damlaları sevgilinin...
    Sarı güller çoktan gitti...
    Bir kuru yaprak buldum sadece; arkasında bir küçük anı bırakmış gibi saksıdaki menekşe çiçekleri...
    Evet, evet...
    Bu, sevgilinin gidişi gibi...

    *

    Nedense her sene bu mevsimde çekip giderler, kaç gündür çatının pervazlarında kumruları arıyor gözüm...
    Yoklar...
    Göçmen kuşlar da gitti...
    Gördüm, evimizin üzerinden uçtular...
    Sıcak günlerden, radyo sesi gelen açık pencerelerden, sulanan toprak kokularından, şen serçe cıvıltılarından, yere kadar sarkmış elma dallarından, o küçük geveze çalıkuşundan eser yok...
    Yerinde yok hiçbiri...
    Bu sonbaharların içinde ne çok hüzün ve ayrılık var...
    Sevgilinin gidişi gibi...

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  10. This comment has been removed by the author.

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  11. GULNOZA NURULLAEVA:
    The main idea of the poem is that contemporary life is confused and often oppressive—it is a "heavy and ... weary weight" that makes up an "unintelligible world." But these recollections of natural beauty serve as a sort of catalyst producing a "serene and blessed mood" which Wordsworth describes in terms that seem almost mystical. The ordinary motions of the "corporeal frame" (respiration, circulation of the blood, etc.) are "almost suspended" while the mind (or "living soul") can suddenly "see into the life of things." Clearly this is a visionary moment, a momentary revelation of some "life" beyond the ephemeral appearances of "things" and beyond the confusion and alienation of ordinary urban life.
    One aspect of this poem that I find particularly intriguing is the context it provides for Wordsworthian nature ideology. It is clear everywhere in Wordsworth's writing that nature, or, more accurately, a feeling response to natural beauty, is the source of psychological comfort, moral judgment, and now even spiritual vision.

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  12. SEDEF KONUK

    We see an incredible imagination of the poet. The plots of ground, all vegetation is the same shade of green, the hedge-rows, and wreaths of smoke connect the earth to the sky; all of this are unified. nature is the keyword and main focus in the poem. The effect of nature on memory, thought, and behavior is mentioned again and again.and I see that more religious words such as faith, soul, blessing came out. moreover we see that nature went through a significant change. In spite of these changes, nature still arises the same emotions on the poet. thats why we can say that the only thing that does not change is our soul..

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  13. Jiyan Taher :


    The poet opens this poem with the speaker’s statement that five years have passed since he visited these particular places. He says aloud a list of things he has seen again. They are effectual for him. There is a flashback in his memory and remember “beauteous forms” of all those things. And all of those beauteous forms made him to be different from the past. Waterfalls, mountains and woods gave him a strong feeling of love, hate, desire….
    He says that now he can sense the presence of something powerful, ocean, the air, and even in the mind of man. This energy seems to him” a motion and a spirit that impels/All thinking thoughts…/ And rolls through all things.” For that reasons, he says, he still loves nature, mountains and woods. Then he says to his sister that whenever she is sad, the memory of this experience will make her healthy.

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  14. Öznur Öztürk

    Of unremembered pleasure: such, perhaps,
    As have no slight or trivial influence
    On that best portion of a good man's life,
    His little, nameless, unremembered, acts
    Of kindness and of love. Nor less, I trust,
    To them I may have owed another gift,
    Of aspect more sublime; that blessed mood,
    In which the burthen of the mystery,
    In which the heavy and the weary weight
    Of all this unintelligible world,
    Is lightened: -- that serene and blessed mood,
    In which the affections gently lead us on, --
    Until, the breath of this corporeal frame
    And even the motion of our human blood
    Almost suspended, we are laid asleep
    In body, and become a living soul:

    With these lines we see the speaker's realization.He remembers how beautiful and pure his life when he was in Tintern Abbey.He remembers the pleasure when he was with the nature.He used to deal with good deeds when he was there.When he is with the nature his soul becomes activated which is more important than his physical being.Nature is like a healing power and makes him feel good.Nature makes him relaxed.When he sits alone in nature he can understand the world and life better.
    Other lines also say us so many magnificent effects of the nature.The speaker says nature isa guide for him.nature gives his life an order.Nature makes him happy and never tries to hurt him like the people.It is so different and so important for him that he sees nature as a link between his recollections and his past life.He also thinks that his present is going to be past, so it is also important for him.

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  15. i really liked this poem. The poet mentions about five years in which he way away from the "tintern abbey." he says that these five years were very long for him.
    "with the length of five long winters" he say.
    and he is in the Tintern Abbey again and he shares his happiness with us. he sees everything very beautiful in there because he love this place.
    "the day is come when I again repose
    here, under this dark sycamore" he says

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  16. Tülay Örücü

    Tintern Abbey is a really good example of Romantic poetry. In every part of it, we can see the harmony and unity of nature,which is the outstanding feature of Romantic poetry.There is a stress on the recollection of the memories so the poet uses the word ’again’ so often.
    When reading this, I felt something different..It made me think about what I would feel if I was not able to see my hometown for five years.I would probably feel a bittersweet joy in reviving them and I think that s what Wordsworth feels.

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  17. I liked this poem because it gives chance to imagine the environment. This poem is a narrative one and we can imagine everything as they are vivid. Here, in poem, he starts with the description of the environment of the tintern abbey. In the lines, we can fells the different emotions, passing of time, comparison between past and the present, personal history of the speaker.All of the descriptive lines take us from present to those times.

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  18. “Tintern Abbey” is composed in blank verse, which is a name used to describe unrhymed lines in iambic pentameter. Its style is therefore very fluid and natural; it reads as easily as if it were a prose piece. But of course the poetic structure is tightly constructed; Wordsworth’s slight variations on the stresses of iambic rhythms is remarkable. Lines such as “Here, under this dark sycamore, and view” do not quite conform to the stress-patterns of the meter, but fit into it loosely, helping Wordsworth approximate the sounds of natural speech without grossly breaking his meter. Occasionally, divided lines are used to indicate a kind of paragraph break, when the poet changes subjects or shifts the focus of his discourse.

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